The tardigrade, hereafter to be referred to as Brenda, is roughly the size of a domestic cat when printed at 100% scale, and comprises 61 separate pieces. Brenda has five body segments, eight articulated legs, and is fully poseable.
This time around Barbie eschews the full plate from the original Faire Play in exchange for a fantasy barbarian furkini. The furkini and boots are printed in NinjaFlex TPE, and are designed to fit a Barbie Made to Move doll. They’ll probably fit other dolls of similar size, but I haven’t tested them yet.
Brenda’s saddle includes a mounting bracket for Barbie’s yoga mat because it’s always wise to warm up with some sun salutations before sack and pillage day.
Also included in but not pictured are a Mongol-style recurve bow and a three-headed flail.
I’ve set this playset up as a pay-what-you-like download with a $1 minimum. Yep, you can get the tardigrade, the furkini, a full compliment of Barbie-compatible weapons and armor, a saddle, and— AND! a 3D printable yoga mat for a BUCK, people.
Feel free to donate more than $1 if you like the project and would like to see more stuff like this exist in the future. Even if you don’t have a 3D printer it never hurts to throw an indie designer a bone. I’m just sayin.
Better yet: it’s Creative Commons licensed! You’re free to remix and redistribute this work as long as you credit Jim “Zheng3” Rodda as the original designer. Credits for the giants upon whose shoulders I’ve stood to create Faire Play III are listed in the .ZIP file.
Designing and executing Faire Play III was a yuuuge endeavor and a full description of it is beyond the scope of a single blog post. Watch this space for more photos and behind-the-scenes stories of how the latest and greatest in Barbie-compatible wargear came to pass.
UPDATE: Hello, SciFri Twitter followers! Here’s an extra couple of photos just for you guys! While you’re here you might want to check out SciFri Bingo in advance of tomorrow’s show.
Tardigrades LURVE themselves some garbanzo beans. It is known.
TLDR; I released suspect geometry into the wild. Also 3dprinting.fail is now a thing.
Despite rumors to the contrary, it’s not all mimosas and backrubs here at Zheng Labs. There are times, thankfully few and far between of late, when we fail to make the proper sacrifices to the 3D printing gods and models go kablooie on the print bed.
To wit: these Eyrie caps that bought the farm before they could reach their full potential.
The bottom surface of the Eyrie cap is a thin circle and occasionally won’t adhere to the build platform. Double woe if one gets ambitious and prints multiple models at a time; one failed print can catch on the extruder nozzle and get dragged into its doppleganger, causing a calamitous cascade of failure.
The printer, being blind, deaf, and completely lacking in agency besides, has no idea that this failure is happening and if left to its own devices will merrily continue extruding hot plastic into thin air.
A quick primer on 3D printing for those of us who don’t live and breathe this stuff. One can break the process down into three basic steps, about which one could proceed to write volumes of details.
Step 1: Creation! By some mystic means, a 3D model is created. My weapon of choice in this arena is Autodesk Maya because I use it in my day job, but there are scores if not hundreds of software packages that will export a 3D printable model. Amazingly, even Minecraft can do it with the right mods. Tell your nine-year-old niece.
Step 2: Slicing! Before it can be printed a model must be divided up into a vertical series of horizontal layers. If you’ve accidentally introduced wonky geometry in Step 1 the slicing process will create toolpaths that kinda work, but might result in a less-than-optimal print in the real world. More on this and a mea culpa in a bit.
Step 3: Printing! A tireless bot with a melted plastic-filled hot glue gun draws successive layers on top of each other. The plastic cools and before you can say Bob’s your uncle you’ve got a brand new Dice Citadel. Usually it works, and sometimes this happens:
The reasons for print failure are legion, but I’m guilty of letting an avoidable one slip through my quality-control network with the Classic Citadel. Back to slicing and the aforementioned mea culpa:
Here at the lab our preferred slicing software is Cura. Cura has been churning out perfectly usable G-code for months and I’ve printed dozens of citadels with nary a problem. But here’s the rub, mein grübenses: not everyone out there uses Cura.
Printing problems started cropping up once the Citadel was released into the wild. Users of slicers Simplify3D and slic3r were shocked to find that their printed citadels, walls too thin to withstand an assault even by Marshmallow Mangonels, were crumbling to the touch– see the photo at the top of the post.
Mea maxima culpa, I really should have run the models through several slicers before releasing them. Parallels may easily be drawn between the current state of 3D slicing and the early Web when different browsers would render the same HTML in completely different ways. 1996 was a great year for flannel, but damned if I enjoy the return to crossing one’s fingers and hoping that WYS is truly WYG.
Wizzywig. Now there’s a term I’ve not heard in a long, long time.
But! Thanks to the heroic and dogged troubleshooting efforts of Strongholds backers Chris Yohe and Nate Johnson, the problem’s been fixed as far as I can tell. I’ve uploaded a new Citadel to Pinshape and alles gut. Print, my friends. Print LIKE THE WIND!
Other backers have been busy printing Eyries and plinths a-plenty. If you’ve got a print you’d like to show off to our little tribe of medievalists, send it my way.
Unexpected creative output: There’s plenty of downtime to be filled while the printer is producing Citadels and Eyries for physical rewards backers, we’ve been thinking about failure a lot lately, and here at Zheng Labs we’re certainly not ones to let a good domain name go unclaimed.
(That model’s a Beast Token and you can grab your own at The Forge.)
So! That about covers it for this week. Back to printing backer rewards and obsessing over the Next Thing. Here’s another wee teaser for that project, which I’m hoping to release within a month or so:
Jamming a wheel– again– on a mud-slicked rock, Da Xiong muttered under his breath and wiped his brow with a dirty sleeve. Out here, with no one but his dozing master to hear him, he could speak just a bit and break the facade he’d carefully sustained since before escaping the capital five years ago.
Progress along the muddy ground was excruciatingly slow even for a man of his size and strength, made even more so by the weight of the cart he half-pulled, half dragged through the puddles and stones.
Master Qie, as was his wont in the late afternoon, napped on his cushion undisturbed by the bumpy and intermittent travel. Qie had insisted– INSISTED! with a flourish of a silken sleeve, that Xiong load the cart with cheap wines at the last stop. For trade, he said.
Trade, indeed. Not that even the waiguogou would drink this swill. Or properly pave a road, for that matter.
Back home even this minor road would have been carefully laid with precision-cut flagstones. Xiong noted where cutting a swale on the left would immeasurably improve drainage, and over there one could very easily re-grade and straighten the path with an eight-crew and two days’ labor, and just a few li back they’d passed a fine, defensible junction where, if they’d had any sense at all, the locals would have sited a cistern and a toll collector.
Pfft. Barbarians. The only saving grace of plodding through this godsforsaken land was that Master Qie was now very, very far from the Imperial Censor and his torturers.
Ahead of them the tower waited, piercing the canopy and reaching three times again as high as the tallest tree. There were temples taller than this at home, but not many, and none made entirely of stone. A staircase spiraled to the top of tower, narrow and irregular and steep. They’d have to leave the cart and lug the wine up on Xiong’s back.
The glass orb at the top glowed dimly, brighter than the sun in the overcast sky. Xiong estimated the amount of sand, coal, and workers one would need to engineer a glass sphere the size of a house and concluded that either it was clever fakery or the waiguogou possessed a secret foundry bigger than the Emperor’s stables.
Or, most likely given the Eyrie’s inhabitants, it was magic.
Wizards. These people knew the importance of learning and careful study, even if they wouldn’t deign to apply their erudition to engineering a passable turnpike.
Tomorrow, the travelers would meet these mages and make a record of their Eyrie in Master Qie’s ever-thickening journal. Page by page the catalogue of strange places and people grew, but Xiong doubted anyone in the capital would ever read it. He still held hope, but daily became more and more convinced he and his master would never return from this land of fleas to silk sheets and polished rice and love left behind.
Da Xiong sighed and trundled forward. Perhaps, sweet Tianyu, he mused. Perhaps I will hold you again.
TLDR: print slow and hot with NinjaFlex. It ain’t rocket science, but does require a little attention to details if you’re used to PLA or ABS. If you’re using Cura you can download my Type A Machines 2014 Series 1 profile here.
Our most recent Kickstarter was a smashing success! We were 119% funded with 140 backers. Watch this space for a comparison/post-mortem describing the differences in funding among the several Kickstarters we’ve launched, successful and not so much. I learned a great deal with Strongholds and I’m eager to apply the new knowledge and analytics to the next crowdfunding effort.
Here at Zheng Labs we’re ramping up to start the print-a-thon for backer reward fulfillment, but we have a little side project to get out of the way first. Scoundrels that we are, we’re using the slow trickle of backer survey returns as an excuse to not engage with the following print ticket:
That’s-a-lotta-printing, my friends. We’ll get started this evening, I promise.
The Easter Bunny was kind enough to drop off a roll of NinjaFlex last week, so before the printer gets ocupado producing Citadels and Eyries for the forseeable future we thought we’d give flexible filament a try.
Loading NinjaFlex into an extruder can be like shooting pool with a rope. I found that my venerable Replicator1 sucked the NinjaFlex right in without issues, but the faster G2 extruder on the Series 1 caused the NinjaFlex to bind up, thusly:
The trick is not to use OctoPrint’s Extrude button to pull the filament into the extruder– it pulls the filament in too fast, the filament backs up inside the nozzle and then starts folding upon itself and turning into silly string.
Instead, just heat up to 240°, push the lever on the side of the extruder, and manually push the filament in until you feel it hit the bottom of the nozzle. Make sure you’ve got good thermal conductivity between your hot end and nozzle too; a liberal application of thermal paste will be quite helpful.
Thermal paste fixes so many 3D printing problems.
Print settings: I’m at 240°, printing at 20mm/sec with .2 layer height. Retraction at 50mm/sec with a distance of 2mm.
Rex turned out nicely, printed on glass with Elmers’ glue stick. Then I mushed him under some PT weights.
Oceans of pixels have already been spilt in covering the Great Free Model Heist of 2016 and I’m late to the game as usual (what with a 3D printing Kickstarter underway and all), but I’ll bring it up again because I’d like to draw a bright line of contrast between the moustache-twirling mendacity of Just3Dprint and the 3D printing paladins over at Cubeforme.
To recap: A quartet of marketing-school bros decided that offering outrageously-priced prints of freely available 3D models on eBay without crediting or compensating the original designers in any way was a viable business model. Just3DPrint defended themselves against the subsequent outrage with some hamhanded quasi-legal jiggery-pokery and, in doing so earned the ire of the 3D printing community and attracted the gaze of MakerBot’s legal department besides. Nice.
The hullabaloo has since died down and, with any luck, these gentlemen will fade into 3D printing history and pursue careers for which they are better suited, like price-gouging senior citizens out of their pharmaceuticals. Enough about them, let’s move on to Cubeforme.
Cubeforme found an alternative business model using the same wellsprings of free 3D printable content, but where Just3dPrint did everything wrong, Cubeforme is doing everything right.
A primer on Cubeforme: the company selects one designer a month, prints a few of their models, and ships the prints to subscribers along with some liner notes about the designer. They’re all about the end user unboxening experience: the colorful packing material is even matched to the colors of the 3D prints therein. BONUS! 10% of every order goes back to the original designer.
They asked permission. This is HUGE. In a world where 3D content is often free for the taking, CubeForme took that extra, polite step of asking me if they could use my work. Pay attention, just3Dprint.com. Creative Commons Attribution matters.
I was compensated! I won’t be retiring on what I was paid– these guys are a scrappy startup, after all– but even a token gesture of financial support for someone who’s cranking out free models day after day means a great deal.
They’re nice guys. CubeForme’s principals Kyle and Nick have gone out of their way to promote me and my work, even after their Kickstarter ended. Communication with them has been excellent and they’ve been good pals of mine ever since.
So! If you’re a 3D printing designer, especially one who got rubbed the wrong way by the Just3DPrint debacle, get in touch with CubeForme. They’ll help get your designs out to more people who wouldn’t otherwise have access to a 3D printer.
Not a designer but just want a monthly shipment of curated stuff showing up at your door? Check out Cubeforme here, and use code zheng3 at check-out for 20% off anything designed by Zheng Labs.
Best of luck to Cubeforme in all their future endeavors. This 3D printing startup is worth watching: you read it here first.